Why “The Carousel Never Stops Turning”
At the end of the Jogja-Netpac Film Festival in 2016, Ismail Basbeth came up to me and told me that...
FCPX Fincher Style Part III – Fixes, Formulas, & Finishing
This will be the final in this series regarding the center extraction workflow in FCPX. Since I last wrote the...
FCPX Fincher Style Part II – Handoff for Mastering
Since the article launched, I’ve been getting a lot of questions regarding why I used ProRes instead of the REDRAW,...
FCPX Fincher Style
No, I’m not working on a David Fincher film (I wish :D). Now that I got that out of the...
Noise Test
Testing the Sony A7S, Alexa Mini and RED WEAPON (STANDARD and LOW LIGHT OLPF) in low light using various settings....
RED WEAPON Tests Jogjakarta
Here’s our attempt of understanding of how to use the WEAPON. We shot in as many conditions as we could...
Replacing ProRes with R3D in FCPX
Are you one of those people that have tried using R3Ds directly on the timeline and can’t seem to get...
“Ode to Tokyo”
Dragon in Tokyo run-and-gun style: This was a quick run-and-gun shoot at Tokyo, Japan, while Unay had his free day...
“The Power of Dreams” REMASTERED
This is what happens when you get another editor, colorist and online artist to play with the same footage. Special...
Behind the Scenes of “Back to Work”
The making of Schneider Cine-Xenar III lens test. Check it out: Filmed by Kevin Anderson Produced by Pinkan Veronique Edited...
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