FCPX Fincher Style Part III – Fixes, Formulas, & Finishing
This will be the final in this series regarding the center extraction workflow in FCPX. Since I last wrote the...
This will be the final in this series regarding the center extraction workflow in FCPX. Since I last wrote the...
Since the article launched, I’ve been getting a lot of questions regarding why I used ProRes instead of the REDRAW,...
No, I’m not working on a David Fincher film (I wish :D). Now that I got that out of the...
Testing the Sony A7S, Alexa Mini and RED WEAPON (STANDARD and LOW LIGHT OLPF) in low light using various settings....
Here’s our attempt of understanding of how to use the WEAPON. We shot in as many conditions as we could...
Are you one of those people that have tried using R3Ds directly on the timeline and can’t seem to get...
Dragon in Tokyo run-and-gun style: This was a quick run-and-gun shoot at Tokyo, Japan, while Unay had his free day...
We have been focused on the first two principals as part of our daily routine. Today, we’re proud to being...
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