This will be the final in this series regarding the center extraction workflow in FCPX. Since I last wrote the articles, we got the 10.3 upgrade + 2 updates. Apart from the additional tools we got, some of the problems I ran into in 10.2.3 were fixed. This article will not focus on the new […]
Since the article launched, I’ve been getting a lot of questions regarding why I used ProRes instead of the REDRAW, and how to handoff the edit to finishing. I felt I had to answer these commonly asked question. Why not REDRAW? As much as I would love to use the workflow that has been demonstrated […]
No, I’m not working on a David Fincher film (I wish :D). Now that I got that out of the way, why title an article this way. Simple, I want to be able to edit in FCPX with the benefits of shooting overscan and cropping center extraction. Ever since I saw the behind the scenes […]
Testing the Sony A7S, Alexa Mini and RED WEAPON (STANDARD and LOW LIGHT OLPF) in low light using various settings. Denoised using Neat Video.
Here’s our attempt of understanding of how to use the WEAPON. We shot in as many conditions as we could during our Jogja trip. We hope that the results of the test will give you an idea of what is achievable using this camera. We would like to thank our talent Shania Maharani for spending […]
Are you one of those people that have tried using R3Ds directly on the timeline and can’t seem to get the REDRAW playback to be smooth no matter what you do? I know I am. Ever since RED released the plugin for FCPX, I’ve tried everything to get smoother playback. Upgraded to a newer computer, […]
Dragon in Tokyo run-and-gun style: This was a quick run-and-gun shoot at Tokyo, Japan, while Unay had his free day after a TV commercial shoot in Tokyo. He challenged us to provide him with a simple rig for the Scarlet Dragon Canon mount, so that he could go anywhere really fast. The footage that he […]
This is what happens when you get another editor, colorist and online artist to play with the same footage. Special thanks to Agam Yunus, Adrian Ooi and Indra Iwan: Production Company: FOCUSED equipment and Def & Blur Productions 2nd Unit Director: Pinkan Veronique DP: Gunnar Nimpuno 1st AD: Sasa Production Assistant: Ricky AC: Agus Demang […]
The making of Schneider Cine-Xenar III lens test. Check it out: Filmed by Kevin Anderson Produced by Pinkan Veronique Edited by Robin Moran “Road to Hell” Composed by Eliot Pister freeplaymusic.com Shot on RED EPIC DRAGON Post-production in Final Cut Pro X Watch “Back to Work” in 4k here
A look at how we achieved the Stress Test in Sept 2013. Check it out: Edited on Final Cut Pro X We would like to thank everyone who supported and contributed to this project. The inital results of the Stress Test can be viewed here. And the Alternative cut can be viewed here.